Tuesday, April 22, 2008

4/20/08 - Meeting Session at Sikh Center


This Sunday, at Noon, Susan and Daniela from the Queens Teens program came to the Sikh center for our meeting session. They were excited to learn about the religion and be able to ask questions they had from studying the kids' drawings when they did not know which religion they were encountering.

First we greeted Mr. Singh at the prayer room and talked about today's schedule. He offered us food and drink from the hall downstairs. He kept telling us about the food. In Sikhism, he said, everybody equally can receive free food and that is unique to Sikhism. I think sharing food must be a very important mission for their religion.

Then, we went to downstairs to share in the food. Daniela happened to see a classmate of hers there. They were very surprised to see each other. Well, I guess it does make sense. Unless they talked about religion to each other, they might never know what religion each believes in. Clothing between Hinduism, Buddhism and Sikhism and even Muslim could possibly be similar.

They liked their food a lot. I like the fried vegetable one. It's kind of like Japanese tempura.

We then went upstairs to meet with the children.

The children were very quiet. They made a large circle and mainly three or four children talked a lot as well as two of the educators. Daniela started from the Sword drawings because we received more than three sword drawings. In one sense, because kids like guns and swords, they tend to draw them. However, in this case, that was NOT correct. I should be very accurate but let me summarize a bit.

They talked about long history of hostilities between Muslims and both Hindus and Sikhs in India, and how the Sikhs defended themselves. To defend themselves, they had to fight against the other group, and they had to insist upon their religious beliefs even in the face of violence, leading to a history of martyrdom. They showed us their religious flag. It has a mark with two swords crossing and the edge of the flag is also like a sword. Female educator showed us a very beautiful, but looks like dangerous knife-like dagger called a kirpan. My wife later wondered how she could travel by airplane with the kirpan. It was originally from the idea of self defense, but now it is part of symbol and parts of items they are supposed to wear to remind them to be pious and defend, not hurt, others.

They also explained that there are other symbolic objects the have to wear. They have to wear a comb, reminding them to keep their hair clean and combed, and they have special underwear that they make themselves. They cannot cut their hair, as it is a symbol of their spirituality, and all men as well as some women wear it tied up in a turban. Then there is the steel bracelet, the kara, that they wear on the wrist of their dominant hand to remind them not to use their hand in violence or anger. We were all amazed and appreciate the meaning of Kara.

One of educators asked about the Teens' drawings for the booth. There was an area with creature-like figures and weaving green ivy. She said we do not have such things in our religion. It was not easy for her to understand why it happened, but the Teens explained that it was based on what they thought they understood from the children's drawings but went a bit beyond the actual imagery of the drawings as they tried to express what they thought the drawings referred to.

It could be a bit cliché, and something to do with Artists' imagination, but I felt this is something we all, artists or not, often do in our minds and it might be the beginning of misunderstandings.

Toward the end of the learning session, one of girls got excited about topic of marriage. The girl said her friend had to do an arranged marriage. It was a pretty tough dispute. One of the educators and another girl had different interpretations of the religion on this point, and their views seemed based on their generations. The one teacher felt that it was disrespectful and not improper for the children to disregard their parents' choice regarding arranged marriage while the younger girl seemed to feel that arranged marriage was an old custom that was no longer appropriate, as long as the parent and child had come to an agreement. On the brochure I received from the center, it says arrange marriage is NOT religious, but rather a cultural tradition. After the session was over, another girl started talking very excitedly about this issue. Since the Teens this time were both female, it seems they were easy to talk to about this issue, and the group got excited about the topic. From American cultural aspect, this arranged marriage idea must seem outrageous. But in Japan it even still exists, though not as commonly any more, and not because of any religious connections. I just thought in Sikhism, it must be difficult to distinguish whether this is a religious or cultural tradition.

I feel as though I was overwhelmed with information at this session, however. At some point soon, I would like to listen to the videotape again to understand what they spoke of more accurately.

Saturday, April 19, 2008

4/19/08 - Drawing Session at Hindu Temple



Spring is the best season for everybody, including religious organizations!
So many activities are happening every weekend, and even on weekdays.

Although the Hindu Temple welcomed this idea of the project, it took a while
to find the time to do the drawing session.

This Hindu Temple is the biggest and oldest temple in North America,
according to their explanation. It is huge! They are under expansion/construction.
Mr. GP, their PR person whom I mentioned before, was delighted to explain all the details.
Every time I am also excited to see the newly completed parts of the building.

Okay, so finally we found time to do the drawing session.
They have a Sunday elementary School, and the educators were
very nice and serious about what this project is about.

This time, I got a better idea of how to explain the drawing process to the children. I asked the children to explore their temple first, and come back to another quiet place. I asked them to close their eyes and imagine what they saw, learned, experienced or thought about their religion or religions.

Many children raised their hands to get ready.
It was really fun! They were amazingly enthusiastic.
They individually went into their drawings further and further.
I guess they got used to seeing so many objects and letters. Although we were in a classroom-like place that did not have much in the way of Hindu imagery, many were drawing Ganesha (an elephant-like god) and a beautifully dressed woman or vibrant greenery.

At the Muslim center, many children chose crayons and thick, bold colors.
Here at the Hindu temple, many used pencil colors. In the beginning, educators were concerned about making a mess on the carpet, so maybe because of that the kids chose lighter materials, or perhaps it is simply their sort of "trend." The boys and girls sort of worked separately although there were only a couple boys there this time, so they did work a bit with some girls.
In the Sikh temple, boys and girls seem to have to maintain a certain distance. In this Hindu temple, it does not seem strict. However, I remembered when I visited another Hindu temple near there, the girls told me boys are not allowed in their dance classes or lessones. I am just saying that there was a subtle difference in the type of distance between boys and girls. In Sikhism, you have to sit down in the prayer room separately. In this Hindu temple, everyone seems to be roughly all together.

Friday, April 11, 2008

4/10/08 - Building Session (Kneeling or Standing?)


This evening was, I guess, the first day of building after the high-school students began analyzing the children's drawings and listed out what they saw. I would like to share their commentary sheets but I am still in the process of catching up on everything day-by-day as a part-time installer and full-time artist. Please wait, or you can come check out the work-in-progress at the exhibition in the Queens Museum of Art.

6 Teens came this time - that made me so glad. They have extremely busy schedules, almost like top-notch business people, so coming to the museum three times a week is too much. Almost all of them looked ready to nap when they arrived. I felt sorry, but we went to my exhibition space to check out the booth they will be decorating.

It is very tiny.
Only one person fits inside, but that is plenty of space.

We then discussed what they want to draw.
Fairly quickly, the subject settled on one portrait each of a man and a woman, based on the children's drawings as well as the symbol of the religion and calligraphy that the children had included.

One thing I got interested in was:

Hannah asked me if the woman, who would be kneeling down and praying, should be
much larger than usual size or not because the man, who would be holding a sword, will be standing and thus much bigger than the woman. She does not want to draw the woman smaller than the man, feeling that that would make her subordinate. She wondered if she should draw the woman standing instead. I felt that her description and question accurately indicated a female's feelings about that matter.

So, I said I was unable to answer that for her, but that she herself just now answered
what she thought and that is a great and understandable reasoning, so she should consider how important that is to her in making her decision.

I cannot explain this moment as precisely as I wish I could. But, it was very curious.

In the end, she and her classmates drew a slightly larger woman kneeling while other student drew a man holding a sword.

Monday, April 7, 2008

4/7/08 - Drawing Session



Today, I visited the Muslim center of NY in Flushing. The elementary school principle Mrs. Farooqi nicely discussed my project with their educators and found time for it. I went to the class room and about 20 or so students waited for me. Their smiles never made me nervous. So amazing. I am usually becoming quite nervous in front of people.

I explained the overall exhibition concept and the reasoning behind it and then, asked them to

"Please close your eyes and imagine what you feel about your religion, think about it or what experience you had before with or without friends..."

I also closed my eyes to think about it together. Then letting them remember what they saw in their minds I asked them to draw it.

Amazingly, they were quite excited. I am glad.
The girls and boys both asked if they could worktogether with friends.

"Yes!" I answered.

"Yaay!"

Most of girls went to the far back of the room on the floor. The floor was carpeted with a nice pattern. The boys stayed on the table to work together first, and then some spread out.

I asked the teacher how old they are when they generally understand the concept of their religion and apply it more to their daily life. She thinks mostly around junior high level but that before that, students will comprehend one-by-one literal knowledge. The practice of the religion, itself, will begin after 10th grade. (I did not write it down, so I might not be 1oo% accurate in terms of what she told me, though.)

Then, I felt maybe they understand more unconsciously. She said it is possible, but then
probably they cannot express it themselves well. I guess that may be so.

When I asked what they drew and why, most of children answered me with:

"Peace"

I was so glad that is how I received from their drawings. Very peaceful drawings.

I cannot wait to share them with Teens and viewers at the Queens Museum of Art.

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This project is an on-going collaboration with multiple religious organizations, being displayed at the Queens Museum of Art as part of their new exhibition: "This Case of Conscience”: Spiritual Flushing and the Remonstrance. It will concluded with a performance by the Teens on May 18, 2008.

4/3/08 - Second Building Session


A couple more high school students joined this project, so we started over the explanation from zero. Also we discussed how we would like to handle the process regarding their concerns from the last building session.

The more I work with the Teens (The name of the QMA program), the more I understand them closely. So, I think I got the point as to how quickly and slowly I should work with them to go through the process, step by step, without confusing each other.

We decided to analyze half the drawings knowing what religious groups they came from and half without knowing, but utilizing our analytical skills and imagination. Due to religious organizations' schedules, we might not be able to visit religious sites to meet and talk to the children and representatives, although we are trying to arrange this. So, as much as possible, we are listing what we get and how we think we could build their booth and get ready for a meeting while slowly start building the booths.

We went down to the exhibition space, from the education department studio. We pinned up all the drawings we received so far and discuss about what we think about these works and their meanings.

The Teens are quite observant and serious. They found common colors and certain symbol and letters that appeared in several drawings. They were not sure about the religion. I thought that was quite accurate because they addressed that it seemed Buddhist or Muslim, but they did not feel like either was quite correct. At this moment, I am going to share this blog with students. So, I would not like to mention the exact religion's name here. But, soon, they will meet the children at the temple (Sunday, 4/20).

Meanwhile, we keep building.

Friday, April 4, 2008

4/4/08 - Revised Project Detail

Takashi Horisaki
"Meet Me at the Unisphere," 2008

Children’s Drawings, Presentation Booth structures, Internet-based Artist Blog, High-School students’ sketches, materials, and work-in-progress


An on-going project culminating in a performance during the opening of “This Case of Conscience: Spiritual Flushing and the Remonstrance” on Sunday, May 18, 2008

Meet Me at the Unisphere is a performance-based community-interactive investigation of the way in which we communicate about our religions. The documentation and artistic creations you see here at the Queens Museum of Art are being added to over the course of the exhibition until the final performance on May 18, 2008.

Visiting a variety of religious institutions in Flushing and co-operating with children’s groups at the institutions, the artist asked the children who attend these programs to draw pictures of what they think about when they think about their religion. Asking them not to limit themselves to symbols or even objects, he has received the colorful variety of responses showcased in this display. As they are received, these drawings are separated out by religion and passed on to a group of high-school students without specific indication of which religion they belong to.

The High-school students study the drawings, begin making plans for booths intended to represent the children’s ideas of their religions, and list questions about elements of the drawings that intrigue them. As these high-school students are completing the construction of these booths, they will meet with some of the children who drew pictures for the project, as well as representatives of the various religions to learn more about the religions and ask the questions they have been compiling while constructing. For the final presentation on May 18th, the booths constructed by the high-school students will be placed outside, facing the Unisphere. Based on the information the students have gathered from the children and other representatives of the religions, they will then present their experiences from learning about these various religions to Museum visitors.

The focus of this work is on the process of learning about each other’s religions, as well as the give-and-take inherent to a community-interactive performance work, thus the process is also documented by the artist’s blog at www.unisphereqma.blogspot.com, viewable on the computer station included in this display. Additionally, all children’s drawings collected for this project go on display as they are received, along with documentation of the booth construction as a work-in-progress.


Please compare to the original project detail to see how this project has been progressing. Through interaction with community members, children, teens, museum, this project has been evolving. Check older blogs to see how it has been changed and edited.

Tuesday, April 1, 2008

4/1/08 - Thought after meeting with High school students

Over the weekend while I de-installed the piece from my previous show, I have been thinking about last Thursday's meeting with the High school students.

When I visited Hindu temple last Saturday for a meeting with educators about the drawing sessions, I talked about this.

I guess it would be fine one way or the other. That is my current feeling. However, I am would like to hear students give some of their own feedback before receiving instruction. If they just do whatever they are asked, although they may be more correct, that is not really showing how one learns or thinks, and that is not what I wanted to do with them.

Then, I thought it might be more interesting and constructive if students discuss and list up what they are not sure about with the drawings and meet the young artists (children) to ask them those question and then talk further about the drawings and their religions.

Due to the program's schedule, it could be just after they started building or, in a few cases, before, though. I called Laura, the education dept. coordinator at QMA. She was fine and a bit relieved since she got the feeling and feedback from the students about their confusion after the last session. Also, she said they also learn and are trained how to critique and analyze other artwork through their program, so this relates to what they generally do in this program. We thought this might be interesting opportunity, then.

I myself learn and am learning so much about how I can read kids' drawings and for some reason I found that the same eye can be applied to contemporary artwork, too.

Just before this phone conversation, I was able to get in touch with an educator at the Muslim Center in NYC and confirmed the date of the drawing session at the mosque next week.

This Thursday, the High School students and I will closely look at the drawings to try and read further information from them and list up questions, while I will finish up the frames of the pavilions.

Now this project seems to be moving forward a lot.
We'll see how the High School students (teens) work on this.
Exciting!